 February 23, 2006 |
Hailing The Office's Unsung Heroes! I've talked a lot about the writers, directors and producers behind The Office [returning with new episodes March 2 at 9:30 pm/ET, on NBC]. But there is another, often overlooked, group of people who are just as essential to creating the environment at Dunder-Mifflin. They are the set-dressing, props and art departments. Led by our production designer, Michael Gallenberg, these departments work together to create our authentic office atmosphere. Michael might be our most underappreciated genius. He has an overall vision for our office environment and oversees even the smallest details. If he does his job right, no one notices. He's not supposed to razzle-dazzle you. He makes sure each department works to create the most real-looking sets possible. The set-dressing folks, headed by Steve Rostine, choose the desks, the wall hangings, the plants, the lamps. They fill the shelves with random clutter. They are the ones who make sure we have lighted EXIT signs over our fake doors. If you get our Season 1 DVD, you will notice that in the first few episodes my office chair didn't have arms. I really wanted one with arms so I talked to these guys and they ordered a new chair for me. Pretty cool, huh? I'm such a diva. The props department works closely with the actors, since they are responsible for anything an actor might hold in his/her hand or use specifically in a scene. Pam's teapot, Dwight's bobblehead, Meredith's sippy cup and Phyllis' flowers from Bob Vance are all examples of props. I worked with Philip Shea, the head of our props department, to pick out Pam's engagement ring. We went through two trays of rings before settling on a 14K-gold-and-diamond-cluster ring worth about $80. (Roy's not much of a spender.) Philip also asked me what color teapot I thought would be Pam's favorite. In the Christmas episode, our on-set props assistant, Doug Abrahamson, had to wrap and rewrap the teapot between every take. We did that scene over a dozen times. The art department is responsible for any type of card, sign, certificate or logo created specifically for our show. For example, they created the Dunder-Mifflin logo. They designed the greeting card that we give to Meredith for her birthday. They also created that horrible poster of the babies playing jazz that Angela gets in the Christmas-party episode. That poster made us all laugh so hard, the writers gave it another plotline in a future episode. Everything is subtle and wonderful. These guys have a good sense of humor, too. If you look closely at the certificates they made for the walls of the office, they are quite hilarious. Here are some of my favorites: Rain Forest Harvesters Association presents the One Million Cut Trees Award to Dunder-Mifflin Paper Company. Whereas the Dunder-Mifflin Paper Company has demonstrated excellence in the total disregard of the environment in its utilization of the vast resources of rain forests across the globe, the association has awarded them this citation. Or there is this one: Paper Manufacturers Conglomerate presents the Pulp Tonnage Award in recognition of the company's outstanding use of over 50 megatons of raw pulp in one year. It is a very popular thing on TV shows to put the names of crew members on the decorations around the set as an inside joke. We have a "Dunder-Mifflin Salesman of the Year" plaque and a "Humanitarian of the Year" certificate that feature the names of several crew members. Our first-assistant director, Kelly Cantley, was upset that her name didn't make it on any of the decorations around the set. I guess she complained, so they made this one up especially for her and hung it on the pole by Stanley's desk: Whereas it came to our attention that Kelly Cantley was whining that a lowly second assistant director had a plaque with her name on it and whereas Kelly Cantley made a comment on the air regarding that fact... we have decided to give her this certificate because we love her. So, it's not just the actors and writers who get to have fun. Our crew is pretty darn cool as well. We spend a lot of time sitting around the set, and it's fun to find their little jokes posted here and there. It's like a treasure hunt! Thanks for all your hard work, guys, and for keeping me entertained in the process.Until next week... Have feedback or a question you'd like to send Jenna Fischer's way? Click here. For even more Office gossip, check out Jenna's blogs from Jan. 12, Jan. 19, Jan. 26, Feb. 2, Feb. 9 and Feb. 16. Also, click here to see what Dunder-Mifflin's own Dwight Schrute is thinking. |
Survivor Grounds Gal Rocket Scientist Misty Giles' hesitation to reveal her occupation on Survivor: Panama — Exile Island (Thursdays at 8 pm/ET) just may have contributed to her ouster last week, when the La Mina men surmised that her smarts offered an unfair advantage. TVGuide.com spoke with the self-described "tomboy in high heels" about hanging with the boys, doling out those, ahem, strategic massages, and dining on the tribal delicacy of snail soup. TVGuide.com: What have the reactions been like since your elimination on last week's show?Misty Giles: My friends were like, "I know how competitive you are. You have to have won," and all I could say was, "Watch the show." Everyone's pretty bummed and shocked. TVGuide.com: Last week we saw your tribe feasting on snail soup after entering your seventh day with little food to be had. What exactly does that taste like?Misty: It's terrible! You take some seawater, throw some snails with all the sand and shells in there, and then add some hermit crab. We drank the broth — sand and all — in hopes that it was going to give us some kind of nourishment. I don't know how bad the food choices could have gotten, but I'd rather eat worms! TVGuide.com: Who had the idea to cook up that concoction?Misty: The whole tribe figured that we could eat this as food, and we were constantly collecting snails.... It was our nightly ritual to eat snails. TVGuide.com: Was there a lot of talk after Sally lost the spear and thus La Mina's chances at real food?Misty: There was a lot of talk. If only we had that spear, we would have been eating. TVGuide.com: When the tribes gathered for the reward challenge, Bobby praised Bruce so openly for being the key to the improved morale at the Casaya camp. After learning of the role he played, which La Mina member was most vocal in deciding to send Bruce back to Exile Island?Misty: They made a detrimental move telling us Bruce was the strong one. I didn't want to send him back, mainly because I knew I didn't have the idol and I didn't want to give him a second chance to look for it. I wanted to send one of the younger girls, because I thought by themselves, they'd crack. It was a smart move at the time, but they came back angry and strong. TVGuide.com: Having been the first one stranded on Exile Island, what was it like? Did you find yourself doing a lot of searching for the hidden immunity idol? Misty: That's one thing you miss on the one-hour show: my searching for three, four or six hours a day, as long as I had daylight. It was a challenge, emotionally and mentally, to stay focused. TVGuide.com: It was rather strategic on your part to fool the women on your first tribe into thinking you did find the idol.Misty: I thought that was a good backup plan. Danielle walked up to me and said, "If we have to lose, let's get rid of Sally." It really helped me get in with Danielle and Courtney. TVGuide.com: When I talked to Melinda last week, she said there were times she'd rather have been alone on Exile than be with her tribe. Did you experience any similar feelings?Misty: We were all smart, hardworking and diligent people. There was no drama. We were starving, but we would have great conversations every night at campfire. They don't show this, but we would sing ourselves to sleep. It was a great comfy, cozy environment, as opposed to the dysfunction that was going on at Casaya. TVGuide.com: That said, who on La Mina did you bond with most? And which person not as much?Misty: I bonded the most with Sally, and I'm cheering for her now. I didn't expect to have that much in common with her. The person I bonded with least was Terry, but sometimes when you have a lot in common with someone, you just seem to repel. I was trying to scheme in my head, constantly thinking about how to get him gone. TVGuide.com: Prior to tribal council, the La Mina men said they were intimidated by your intelligence. Do you feel that played a role in your oust?Misty: Man, that's why I didn't date in high school. That was the problem! [Chuckles] TVGuide.com: Terry, for one, said you were "smart as hell and could cause some trouble."Misty: It stinks to be gone because I didn't just walk around going "Oh, please, dear Terry, show me the way." That's not me and that's not ever going to be me. I thought, "Gee, Terry, if you thought I was that smart, why didn't you get an alliance with me?" TVGuide.com: Can you pinpoint a key factor in your getting voted off?Misty: Maybe they realized I would have been harder to get rid of later. I wasn't physically hurting, but after all the bug bites I got, maybe they thought, "She's getting eaten alive, it's starting to look gross and we should let her go now." TVGuide.com: Were you strategizing while giving the guys on your tribe massages, or simply having fun?Misty: It was definitely having fun. You want to have a good time out there, but my goal was to stay in the game as long as possible. I knew the young guys were faltering and were on the fence with their alliance, so we started working Austin and Nick. I got absolutely nothing out of it. TVGuide.com: In your CBS.com biography, you describe yourself as a "tomboy in high heels." What amenity did you miss most on island?Misty: My toothbrush! I have this oral-hygiene fixation and now I walk around with one in my purse all day. I didn't get any luxury items. TVGuide.com: Other than brushing your teeth for a good long time, what was the first thing you did when you arrived home?Misty: I have two Boston terriers that I absolutely love and missed so much, so I've said I went out for pizza and Italian food, but I really ordered in and watched movies. TVGuide.com: As far as your occupation, viewers were let in on the fact that you are an engineer but saw you hesitating to tell your tribe at first.Misty: I didn't tell the younger women, but when it came to the other tribe, I figured that because Dan's an engineer and Terry's a pilot, we could bond [over it]. We all got along fine, but it definitely did not aid me in making the right alliances. TVGuide.com: Did you struggle at all telling La Mina?Misty: I just came right out with it when Dan said he was an astronaut, explaining how working for NASA has been my dream since I was a child. We were talking for a while and I told him I work on a rocket program, but until then no one knew. TVGuide.com: You've certainly proved your worth, showing that you can hang with the boys!Misty: I do it on a daily basis in my job, but it didn't work on Survivor. Go figure! Are you addicted to shows like Survivor? Find out the real reason why reality's a hit. |
Annette Bening Is a Real Lady Killer News flash: Annette Bening has once again fallen in love with a charming, wealthy older man who has a reputation for being a bit of a Casanova. But unlike the story of Bening's real-life romance — her marriage to Warren Beatty has been going strong for nearly 14 years now — there's no happy ending for the character the Oscar-nominated actress plays in HBO's Mrs. Harris (premiering Feb. 25 at 8 pm/ET). Inspired by Shana Alexander's best-selling book Very Much a Lady, the movie explores the sensational 1980 murder scandal involving Jean Harris, the middle-aged headmistress of an exclusive girls' boarding school who shot and killed her longtime lover, world-famous Scarsdale Diet guru Dr. Herman Tarnower (played here by Ben Kingsley). After years of tolerating the charismatic bachelor's refusal to marry her and his in-your-face philandering, Harris feared she was losing out to a younger woman (Chloe Sevigny). By then drug-addicted and suicidal, she went to his house one night intending to kill herself. Somehow Tarnower was the one who ended up dead. Although Harris maintained that the shooting was an accident, she was convicted of murdering the 69-year-old doctor and was sent to prison for a dozen years. "It's a terribly sad story, but at the same time fascinating," says Bening. "She was a woman of enormous competence who also seemed to be on this road to self-destruction. Jean Harris isn't easily summed up, and that's where great drama is." The film, adds Kingsley, is "the autopsy of a relationship. It's like a Greek tragedy. There were all these tiny little accidents and seemingly small, mundane decisions that came together to produce a terrible tragedy." Though the case was a tabloid staple at the time, Bening knew little about Harris and Tarnower before taking on the role. So she prepared by immersing herself in everything from books and articles written about the case to the actual trial transcripts. She also wound up talking to Harris, now 82, whose prison term was commuted by then-New York governor Mario Cuomo in 1992. "I didn't want to invade her privacy, but she wanted to speak to me," Bening says. "She said very nice things about Tarnower and the way he made her feel — that he was a wonderful dancer and that he made her feel like Ginger Rogers. When you talk to her, it's really hard to believe she wanted to kill him. So it's hard to understand what happened." It's also hard to understand why two people who seemed to get so little from each other stayed together for so long. "I think that's what's most fascinating to so many people," Bening says. "Most of us have been involved in crazy kinds of relationships that weren't necessarily healthy but, for reasons that are out of our control, were compelling. But there's a boundary we don't cross. Jean went over that boundary and found herself in a nightmare. It's all so bizarre." Bening's off-screen life, however, is the picture of normalcy — at least as much as the life of a movie star who's married to an even bigger movie star and has four young children (Kathlyn, 14, Ben, 11, Isabel, 9, and Ella, 5) can be considered normal. "We're just running around trying to keep all the plates in the air like everyone else," says Bening, who's currently starring on stage in Chekhov's The Cherry Orchard in Los Angeles. "Children completely fill your life. But I wouldn't have it any other way. Every once in a while I look around at people who do movies all the time and go from play to play, and I think that would be great. But I really just always wanted kids, and now I have them. I don't think I'd do well in the world only to satisfy my own interests and desires. That would be a pretty boring life for me." |
Eric Idle Recalls Monty Python's Best Eric Idle has every reason to gab. He's not only the creator (with John Du Prez) of the Tony-winning musical Spamalot, he's also the main attraction in the opener of Monty Python's Personal Best (premiering tonight on PBS; check local listings), a three-week series of specials featuring each Python player's favorite bits, along with new material. (Example: In addition to introducing gems like "Nudge, Nudge," Idle plays a German with a weird theory about Python humor.) To mark this recycling of material, Idle spoke with TV Guide about "the Beatles of comedy," one of his greatest influences and his plans for another stage musical. TV Guide: The Pythons have been described as "the Beatles of comedy." Do you consider the Beatles "the Pythons of music"? Eric Idle: I think so. They're marginally better at guitar and they're almost as funny, I think. TV Guide: George Harrison was a great Python fan and a close friend of yours. What was it about him that you think would most surprise people? Idle: His sense of humor. He was really funny and he liked to talk a lot. He wasn't quiet at all. TV Guide: Are there film plans for Spamalot [currently on Broadway]? Idle: I wouldn't want to remake the [Monty Python and the] Holy Grail any more than I would want anyone to remake A Hard Day's Night. TV Guide: What's this about "Monty Python on Ice"? Idle: Years ago, when we were going to do a stage show, we loved the idea of doing "Monty Python on Ice" and making no attempt to learn to skate. The Dead Parrot, the Lumberjack... everything, while just walking around on the ice! TV Guide: One of your fellow soccer fans, Peter Cook, seemed to have a big influence on Python.Idle: [On] me in particular. Beyond the Fringe [an early-1960s Broadway revue show featuring the likes of Cook and Dudley Moore] just changed my life; I adored it. Everybody in Cambridge still spoke like Peter [did] when I got there, they all did that sort of Peter Cook voice. He was so influential, it was unbelievable. I introduced him to Robin Williams, which was a cataclysmic event. TV Guide: What was the funniest moment of your life? Idle: I don't think there is a funniest moment. It's like saying "What's your favorite sex?" as if you've done it only once. [The funniest moment comes with] the next laugh. I do enjoy being with funny people and laughing. It's one of those great contagious things — I hope it will never stop. TV Guide: Monty Python has such a deep fan base that you can recycle material, and even pre-Python programs like Do Not Adjust Your Set and At Last the 1948 Show are available for purchase. What is it like having so much interest in your work?Idle: It's fairly astounding that people in America enjoyed Monty Python, which is supposed to be so British-referential. It's still astounding to me that it continues and grows, and now Broadway audiences embrace it. It has something to do with it just being very funny. That would be my only excuse. They're not tied to anything topical and we didn't do satire, which is dead by the next Saturday. Also, [by] writing for other comedians, we got to the top of our game just as we got our own show. The timing was perfect. TV Guide: How did the Python shows avoid being erased like those of so many of your '60s/'70s contemporaries? There are very few of Peter Cook and Dudley Moore's Not Only But Also programs left, and Alan Bennett's On the Margin was wiped out entirely. Idle: The BBC had no sense of archiving in those days — they cost 90 pounds each [to store], and they had no idea there would be a future market for these things. But by chance [the Python shows] were saved. I think the other thing that makes us different was that we were in color, so that still makes us look fairly recent, whereas black-and-white makes it look like an eon ago. TV Guide: Have you watched any of the Do Not Adjust Your Set episodes lately?Idle: I once went to a Museum of Television [event] and watched one. We were shockingly young. Mike [Palin], Terry [Jones] and I used to write the material in the morning and perform it later that day! TV Guide: The Bonzo Dog Band was great on that show.Idle: They had a very strong influence on Python — they made us much wackier. Vivian Stanshall was a very strange and wonderful talent. They came out of art school and were magical creatures to us. TV Guide: Did it feel good to expose Catherine Zeta-Jones to movie audiences in Splitting Heirs?Idle: She'd been a star in England, from her TV series [The Darling Buds of May]. Everybody loved her. She was young, beautiful, adorable — and she was really funny. I don't think I gave her a big break because it was hardly the biggest film success of all time. TV Guide: You've had an eclectic career that includes film, TV, the Mikado, the Rutles, CDs, novels.... What's next for you? Idle: Because of Spamalot, John Du Prez and I — we go back 20 years — are trying to write another musical. I enjoy musicals. They encompass everything I like to do — writing plays, writing funny songs and writing moving songs. TV Guide: Will Rutland Weekend Television ever be released on DVD?Idle: I hope not. Its reputation grows the less people see it. It was made on such a cheap budget — the entire series was made for 30,000 pounds — and it looks like it. Because I did it without an audience, I really don't know what's funny about it anymore. For more "Idle chatter" — about the "stigma" of dressing up as a woman, his favorite television shows and Graham Chapman's prolific nature as a deceased comedian — pick up the "Dancing with the Stars" issue of TV Guide, on newsstands now. |
Dancing Star Details Her Dieting Secrets Truth be told, Tia Carrere didn't mind being the fifth celeb kicked off ABC's Dancing with the Stars (Thursdays and Fridays at 8 pm/ET). "I get to spend time with my baby," she says of her 4-month-old daughter, Bianca. "It's the hardest thing leaving her." Besides, Carrere already won the best prize of all — a newly svelte body, losing 25 pounds in the two months she fox-trotted for the cameras. In addition to practicing prancing "six hours every day," what helped the 39-year-old buff her new-mom bod? TV Guide asked her for the complete skinny on her weight loss. TV Guide: You're looking really svelte. What's your secret?Tia Carrere: Well, I'm doing this food-delivery service called NutriFit, which makes it a lot easier for me. It's three meals a day and three snacks. I was like, "Really, all this food and I'm still going to lose weight?" And I have been. I learned something valuable [during this process] — starving yourself all day is not going to help. First of all, I wouldn't be able to do everything I [needed] to do on [Dancing with the Stars] and [still] breast-feed a baby. That was the main reason. I could lose it faster by doing I don't know what, but, like I said, I'm feeding a baby and first and foremost, I wanted to be healthy for her. TV Guide: How did you pick NutriFit?Carrere: I consulted with a dietitian, this lady named Jo Scott, who has worked with lots of actresses. She turned me on to it. TV Guide: What's a sample day for you on the diet? What do you eat for breakfast?Carrere: Breakfast is two or three little whole-wheat pancakes with syrup and some fruit, and I'll have maybe a smoothie for a morning snack. Then for lunch, it will be, like, a turkey chili, green beans and a green salad. And then, I don't know, Mediterranean tapas on little crackers or vegetables for a snack. For dinner, it will be, like, honey-Dijon chicken with a vegetable medley and a salad, and then I can even have a slice of angel food cake or a fudge brownie for dessert. I mean, it's a lot of food. TV Guide: What sort of calorie intake is that?Carrere: It's 1,700 a day. They added an additional few hundred because I'm breast-feeding; otherwise, I think I could take it down to 1,200 or 1,400 a day. It's easier for me because I get this food delivery, but for an everyday person... I don't know. Portion size is key. I would go to a restaurant and have a huge chef salad. You get used to eating that [amount of food] in American restaurants. TV Guide: And you weren't hungry at all?Carrere: If I eat everything that they give me at the right times, I might get a little hungry, but I'm not starving, going crazy. You just have to keep the machinery working, to keep the metabolism going by having a little — even if it's six almonds or 10 pistachios and a banana for a snack — so that your body doesn't ever get to a point where it's starving and you eat badly. One of the dancers on the show told me an interesting story: Japanese people [tend to be] really slight, slim people, but they do have sumo wrestlers. So how do they make a sumo wrestler? They starve them all day and then they feed them at night [right before] they go to sleep. They're not eating Krispy Kreme donuts or anything — they're eating chicken and fish and rice, just regular food — but they're starving themselves all day and then gorging at night. I think most of us have eaten like that, where we think, "I haven't eaten anything all day and I'm hungry, so I can eat this." But your body holds on to those calories more so because it doesn't know when the next meal is coming. |
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